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IJoC
EDITORIAL BOARD
Editors
Manuel Castells
USC Annenberg School for Communication
Larry Gross
USC Annenberg School for Communication
Associate Editors
Jennings Bryant
University of Alabama
Susan Douglas
University of Michigan
Oscar Gandy
Annenberg/ University of Pennsylvania
Kathleen Hall Jamieson
Annenberg/ University of Pennsylvania
Robin Elizabeth Mansell
London School of Economics
Alejandro Piscitelli
University of Buenos Aires
Marshall Scott Poole
University of Illinois, Urbana-Champaign
N. Bhaskara Rao
Centre for Media Studies, New Delhi
Ellen Seiter
USC Cinematic Arts
Book Review Editors
Gustavo Cardoso
University of Lisbon
Josh Kun
USC Annenberg School
Jack Linchuan Qiu
Chinese University of Hong Kong
Advisory Editors
Jonathan Aronson
USC Annenberg School
Sandra Ball-Rokeach
USC Annenberg School
Svetlana Balmaeva
Liberal Arts University
Howard S Becker
San Francisco
Yochai Benkler
Harvard Law School
Bruce Bimber
UC Santa Barbara
Pablo Javier Boczkowski
Northwestern University
William Dutton
Oxford University
Richard Dyer
University of London
Dilip Gaonkar
Northwestern University
Trudy Govier
University of Lethbridge
Larry Grossberg
University of North Carolina
James Hamilton
Duke University
Henry Jenkins
MIT
Steve Jones
University of Illinois-Chicago
Elihu Katz
Annenberg/ University of Pennsylvania
Douglas Kellner
UCLA
Marwan M. Kraidy
Annenberg/ University of Pennsylvania
Robert McChesney
University of Illinois, Urbana-Champaign
Toby Miller
University of California, Riverside
William John Mitchell
MIT
Peter R. Monge
USC Annenberg School
Thomas Nakayama
Arizona State University
Horace Newcomb
University of Georgia
John Durham Peters
University of Iowa
Dana Polan
NYU
Adam Powell
USC Engineering
Monroe Price
Annenberg/ University of Pennsylvania
Michael Renov
USC Cinematic Arts
Michael Schudson
UC San Diego
John Thompson
Cambridge University
Ingrid Volkmer
University of Melbourne
Simon J. Wilkie
USC School of Law
Barbie Zelizer
Annenberg/ University of Pennsylvania
Yuezhi Zhao
Simon Fraser University

University of Southern California

Submissions

Online Submissions

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Registration and login are required to submit items online and to check the status of current submissions.

 

Author Guidelines

To submit a paper, you need to log in to our site, which requires you to be registered. If you are not registered, please complete the form on our registration page (which will log you in after it is submitted). If you are registered, please go to the paper submission page (which will ask you to log in if you are not already logged in).


  • The submission must default to the most recent version of the APA styleguide.

    For example,

    Alverez, A. (1970). The savage god: A study of suicide. New York: Random House.

    Natarajan, R., & Chaturvedi, R. (1983). Geology of the Indian Ocean. Hartford, CT: University of Hartford Press.

    Maddux, K. (1997, March). True stories of the internet patrol. NetGuide Magazine. 12(2), 88-92.

  • The submission can include supplementary files such as graphs, pictures, images, or video and audio files to be stored on IJoC server. Graphics should be in JPEG, GIF, PNG, or TIFF format. Audio segments should be in MP3, or AIFF, WAV (Windows Audio Wave) format. Video segments should be in Quicktime, MPEG, AVI (Video for Windows), or WMV (Windows Media Video) format. Other audio and video file formats may be acceptable; but please check with us before uploading them to confirm their compatibility with our software and our conversion programs.

    We encourage authors to obtain appropriate permissions to use materials originally produced by others, but do not require such permissions as long as the usage of such materials falls within the boundaries of Fair Use.

  • An abstract is required for an article submission. Please be sure to complete the text box for an abstract in the submission's metadata section.

  • If you are requested by the Editor to submit revisions for review, you can upload a revised version under the "Editor Decision" section in the submission's Review page, specifically the "Upload Author Version" field.

 

Submission Preparation Checklist

As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.

  1. The submission has not been previously published, nor is it before another journal for consideration (or an explanation has been provided in Comments to the Editor).
  2. The submission file is in Microsoft Word, or RTF document file format.
  3. All URL addresses in the text (e.g., http://ijoc.org) are activated and ready to click.
  4. The text is single-spaced; uses a 12-point font; employs italics, rather than underlining (except with URL addresses); and all illustrations, figures, and tables are placed within the text at the appropriate points, rather than at the end.
  5. The text adheres to the stylistic and bibliographic requirements outlined in the Author Guidelines, which is found in About the Journal.
  6. The text has had the authors' names removed. If an author is cited, "Author" and year are used in the bibliography and footnotes, instead of author's name, paper title, etc. The author's name has also been removed from the document's Properties, which in Microsoft Word is found in the File menu.
 

Copyright Notice

The IJoC is an academic journal. As such, it is dedicated to the open exchange of information. For this reason, IJoC is freely available to individuals and institutions. Copies of this journal or articles in this journal may be distributed for research or educational purposes free of charge and without permission. However, commercial use of the IJoC website or the articles contained herein is expressly prohibited without the written consent of the editor.

Authors who publish in The International Journal of Communication will release their articles under the Creative Commons Attribution Non-Commercial No Derivatives (by-nc-nd) license. This license allows anyone to copy and distribute the article for non-commercial purposes provided that appropriate attribution is given. For details of the rights authors grants users of their work, see the "human-readable summary" of the license, with a link to the full license. (Note that "you" refers to a user, not an author, in the summary.)

This journal utilizes the LOCKSS system to create a distributed archiving system among participating libraries and permits those libraries to create permanent archives of the journal for purposes of preservation and restoration.

The publisher perpetually authorizes participants in the LOCKSS system to archive and restore our publication through the LOCKSS System for the benefit of all LOCKSS System participants. Specifically participating libraries may:


  • Collect and preserve currently accessible materials;

  • Use material consistent with original license terms;

  • Provide copies to other LOCKSS appliances for purposes of audit and repair.

 

Fair Use


The U.S. Copyright Act of 1976 specifies, in Section 107, the terms of the Fair Use exception:

Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include:

  1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;

  2. the nature of the copyrighted work;

  3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; &

  4. the effect of the use upon the potential market for or value of the copyrighted work.

The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.

In accord with these provisions, the International Journal of Communication believes in the vigorous assertion and defense of Fair Use by scholars engaged in academic research, teaching and non-commercial publishing. Thus, we view the inclusion of “quotations” from existing print, visual, audio and audio-visual texts to be appropriate examples of Fair Use, as are reproductions of visual images for the purpose of scholarly analysis. We encourage authors to obtain appropriate permissions to use materials originally produced by others, but do not require such permissions as long as the usage of such materials falls within the boundaries of Fair Use.

 

Privacy Statement

The names and email addresses entered in this journal site will be used exclusively for the scholarly mission of this journal and will not be made available for any other purpose or to any other party.

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