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Manuel Castells
USC Annenberg School for Communication
Larry Gross
USC Annenberg School for Communication
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Jennings Bryant
University of Alabama
Susan Douglas
University of Michigan
Oscar Gandy
Annenberg/ University of Pennsylvania
Kathleen Hall Jamieson
Annenberg/ University of Pennsylvania
Robin Elizabeth Mansell
London School of Economics
Alejandro Piscitelli
University of Buenos Aires
Marshall Scott Poole
University of Illinois, Urbana-Champaign
N. Bhaskara Rao
Centre for Media Studies, New Delhi
Ellen Seiter
USC Cinematic Arts
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University of Lisbon
Josh Kun
USC Annenberg School
Jack Linchuan Qiu
Chinese University of Hong Kong
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USC Annenberg School
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USC Annenberg School
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Howard S Becker
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Elihu Katz
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Marwan M. Kraidy
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Toby Miller
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MIT
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USC Annenberg School
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Monroe Price
Annenberg/ University of Pennsylvania
Michael Renov
USC Cinematic Arts
Michael Schudson
UC San Diego
John Thompson
Cambridge University
Ingrid Volkmer
University of Melbourne
Simon J. Wilkie
USC School of Law
Barbie Zelizer
Annenberg/ University of Pennsylvania
Yuezhi Zhao
Simon Fraser University

University of Southern California

International Journal of Communication, Vol 1 (2007)

Regarding the Imprisonment of Others: Prison Abuse Photographs and Social Change

Dan Berger

Abstract


Through four case studies of U.S. incarceration, this paper explores the relationship between the visualization of abuse and change in policy. By examining the verbal and visual presentations of abuses at Andersonville (1864-1865), Attica (1971), Guantánamo (2002-2005), and Abu Ghraib (2003-2005), the paper argues that there is no simple correlation between images, outrage, and social change. Querying prison images currently and historically questions the assumption that simply rendering visible the unseen will limit abuse. Indeed, these case studies suggest a more ambivalent role for the power of images: sometimes causing great change, at times resulting in little difference, and other times having questionable impact. At question is what role images play in drawing attention specifically to those places where attention was never meant to be, the institutions that have defined themselves by being out of sight and thus out of mind. In examining the power, use, and impact of still photographs, this paper interrogates the role of the state and identity in approaching structures of incarceration.

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